Stealing Some Treasures

It’s the morning after the Super Bowl.

I’ve realized that the best way to make secondary plans is within close proximity to your primary plans. That way, you have excuses to not attend any tertiary plans you aren’t interested in. You can just pull the whole, “Sorry, I’m double booked this week and I’ll probably need to recharge” line.

For example: I had to work until 11pm last night. I feared that one of my coworkers might suggest staying later to drink and socialize, which I very obviously did NOT want to do. So to combat such a scenario, I planned both my H&R Block tax appointment (very adult) and my dentists’ appointment (only semi-adult) to be early the next morning. In New Hampshire. And as a result, drinking and socializing became tertiary. Voilà, “I cannot attend.”

I bring all of this up purely to segue into the fact that I had a dentists’ appointment today. I established care, as they like to call it, with a new office. There’s no environment quite as good at breeding rare terminology and offbeat compliments than the dentists’ office. And I’m not talking about when they said I have “strong, beautiful teeth and a healthy gum line (humblebrag).” I’m talking about when Lisa, who looked to be about 70, informed me that she was going to start scraping away at my teeth. Except she didn’t say it that way. No, what she actually said was, “I’m going to be stealing some treasures.”

On one hand, a part of that sounds fun. Almost like an underwater adventure. I pictured that “Deep Sea Diving” game in Mario Party, where you have to repeatedly tap A to swim to the bottom of the ocean, pick up a treasure chest, and then swim back up: all while avoiding the sharks. Cool, Lisa’s just trying to go on a playful little excursion with me!

On the other hand, referring to the built-up calculus on my teeth as, “treasures” made me view Lisa as a gross monster who collects these types of disgusting things in jars atop her apothecary. The go-to image in my head was, like, if you were to take the fortunetelling eyeball chicks from box-office sensation Hercules (starring Danny Devito as Phil) and mix them with any classic green Halloween witch… that would be Lisa. I imagined a world where she referred to my tooth calculus as, “her precious,” as she reached up on her tippy toes to store it in the cupboard just-so.

Unrelated to Lisa: my last dentists’ office used to tell me my teeth, “had character.” I kind of always thought that was mean. Because I knew they weren’t talking about some hot, Tyler Durden Fight Club-cool character. They were talking about some goofy nerd guy who, even for acquiring some level of fame in Hollywood, might still find it hard to fuck someone. I’d say think Michael Cera, except now he’s a cult favorite on Twitter. So maybe it’s more along the lines of the guy who plays The Riddler in the new Batman movie. The one that’s essentially a three hour music video for Nirvana’s, “Something in the Way.”

It’s now 1:45pm. I’m at my parents house, and I’m going to take a nap with my curtains drawn. If the curtains are drawn, does that mean they’re open, or closed? Does it rely on the context of the sentence? Alright see ya.

Seven Grams

There’s a coffee shop around the corner from my work that serves the softest, warmest chocolate chip cookies. They also makes the creamiest iced mocha possible to the palate. The coffee shop is called Seven Grams.

I’m afraid to claim it as my coffee shop, because it’s actually my manager’s manager’s coffee shop. So while I’m over here saving my Starbucks venti plastic cups and reusing them at home just to fabricate the feeling that I bought my coffee, she shows up to work with a cup from Seven Grams every day. Keep in mind, the coffee I make at home makes me want to jump off of a skyscraper. It’s the equivalent of a vodka soda with lime: it does what I need it to, but I’m not enjoying it. Anyways, this isn’t about my coffee. It’s about Seven Grams.

Seven Grams is a bit of a treat to me. If I’m feeling sad, feeling accomplished, or if I find some other various excuse to spend $7 on a coffee, this is where I go. And if you ever go there, please know that I’m the reason they now put plastic lids on their iced drinks.

I was running late to work one morning and said, fuck it, I might as well get a coffee on the way. It was a classic move in high school: “If you’re going to get a late warning, you might as well be as late as possible.”

So I ordered my iced mocha and carried it over to the little desk place where there’s…….. coffee condiments? What’s that about anyways? If I wanted something else in my coffee, I would’ve just ordered it that way. But at these coffee condiment desks, you can add more shit, stir your drink, and garnish your coffee with cardboard slips or weird powders. Seems unnecessary. But at Seven Grams, this is where they also keep their plastic lids. So just to reiterate: the barista will hand you your coffee WITHOUT a lid, expecting you to fend for yourself and get one at the desk.

As I type and relive this stupid insignificant story, I just remember I was upset about something that day. I can’t recall what. But it’s probably for the best since I tend to unload my issues in a really unentertaining way on my private Snapchat story for the 7 people that I have added to it. I went to put a lid on my coffee, but it just wouldn’t fit. And I knew it was the right lid because I order the same coffee every time I go to this place. Hence, I must place the same lid on my coffee each time. But on this particular day, the lid did seem a little thicker than usual. So I pushed it on when suddenly the side of my cup split. Coffee everywhere. Covering my shoes. Spreading across the floor. At the busiest time possible. So like the rational person I am, I figured I’d make matters worse by instinctively crying. The barista pulled the old, “we got a kid who dropped their ice cream” and offered to make me a new one like a sweetheart. But like, it was still embarrassing as fuck.

It was only after the fact that I noticed the lid must’ve been manufactured wrong, because it wasn’t just stuck to a second lid. Yes I can be stupid, but I’m not inherently an idiot. These two lids were inseparable: glued together and created specifically to throw a wrench in my morning.

I share this story for no reason other than the fact that I got an iced mocha from Seven Grams today, and it was delicious. I’ve been twice in the last week. But I did avoid going there from approximately November to February out of self-disgust. Please be happy for me, as I have finally overcome my fears and returned to my manager’s manager’s favorite coffee shop.

Friends, Lovers, and the Big Terrible Thing, by Matthew Perry

“I’m not the biggest fan of confrontation. I ask a lot of questions. Just not out loud.” – pg. 16

“That therapist’s insight has been correct every single time – if a woman keeps her shoes on, it’s a make-out session at best.” – pg. 56

“I can’t decide if I actually like people or not.” – pg. 64

“You know how sometimes the universe has plans for you that are hard to believe, how the world wants something for you even though you’ve done your best to close off that avenue? Welcome to my 1994.” – pg. 79

“You have to get famous to know that it’s not the answer. And nobody who is not famous will ever truly believe that.” – pg. 81

“There are no stars here. This is an ensemble show. We’re all supposed to be friends.” – Courteney Cox, pg. 90

“God is everywhere – you just have to clear your channel, or you’ll miss it.” – pg. 161

“I don’t want to die. I’m scared to die.” – pg. 219

“I don’t need to put on a show anymore. I have made my mark. Now it’s time to sit back and enjoy it.” – pg. 229

The World Deserves My Children, by Natasha Leggero

“There is such freedom in living for yourself. Only really being responsible for yourself.” – pg. 130

“I personally want to raise someone cool so there aren’t only idiots to inherit the earth.” – pg. 137

“It’s hard to know what’s best for your kid, but one thing is for sure: you want them to be able to relate to other people in the world.” – pg. 186

“If I’m not around, I feel like you will float off into the ether of worry and anxiety. And my job is to remind us of the practical reality.” – Moshe Kasher, pg. 201

Girl Logic, by Iliza Shlesinger

“Because, at the end of the day? It’s your career, life, face, image, and feelings on the line, and no one should care – or have the power to fuck things up for you – more than you.” – pg. 26

“I’m not going to downplay my strengths just so you feel less shitty about your own shortcomings.” – pg. 44

“P.S. If her name is Kelsey, I guarantee they’re all trying to fuck her. There are no ugly Kelseys.” – pg. 76

“The common denominator among my women friends is consistency. They show up, they care, they don’t judge.” – pg. 82

“If you couldn’t do the thing you loved most, would you truly feel complete? If I couldn’t express myself and make people laugh for a living, I would crumble inside.” – pg. 142

“You’ll realize that all the fretting and self-loathing wasn’t worth it because […] everyone else is only paying attention to themselves anyway.” – pg. 149

“By the way, ‘Your standards are too high’ is someone’s subtle way of saying that you want someone that brings more to the table than you are bringing yourself. There’s no such thing as ‘too high’ if you’re exceptional! You think anyone ever told Leonardo DiCaprio his standards were too high?” – pg. 170

“You teach people how to treat you.” – pg. 215

“I guess I choose to focus on the negative versus basking in the positive […] because some part of me doesn’t think anything I’ve done is actually all that great.” – pg. 222

“Passion is doing something over and over and never growing tired of it.” – pg. 224

I Don’t Know What You Know Me From, by Judy Greer

“It’s really hard to be mysterious if no one is paying attention to you in the first place.” – pg. 46

“One thing I appreciate about the crew is that […] they are there every day. […] They are the village that it takes to make a movie – no job is too big, no job is too small, and all of them are the filmmakers.” – pg. 93

“I have learned to live in, and love, all of these cities. […] Sure I have my melodramatic homesick moments […], but I’ve gotten good at making new friends.” – pg. 144

“I had an acting teacher, Eden Cooper-Sage, who told me ‘We are what we spend our time doing.'” – pg. 158

“We never moved in with each other. And as of today, we still haven’t. […] We lead a very double life. Or we have the best of both worlds, depending on your preferred idiom.” – pg. 192

“The best time to plant an apple orchard is twenty years ago; the second best time is today.” – Doug Chalke via Sarah Chalke, pg. 197

“Never promise crazy a baby.” – George Bluth Sr., regarding promising Kitty Sanchez a baby while hiding out with her, pg. 199

“How long would you spend trying to fit a puzzle piece into a puzzle where it didn’t fit? More than a minute?” – pg. 226

“Make everyone you love feel loved.” – pg. 231

I Know I Am, But What Are You? by Samantha Bee

“Part of forging a healthy relationship with people you don’t see all the time sometimes involves asking questions that you don’t really need the answers to and letting someone think they are helping you when you don’t really need their help at all.” – pg. 55

“A person can get away with anything if they’re dressed well and act like they belong, even when they don’t. This is an important thing to know if you live in a place like New York City.” – pg. 95

Music is History, by Questlove

“When I think about history – what I’ve learned, how I’ve learned, when in my life I’ve been ready to learn – it’s always connected to music.” – pg. 9

“Most important, don’t let this be your last book. Get a stack going on the table next to your bed, and another stack going on the counter in your kitchen. Always have something within arm’s reach that makes you consider and reconsider, agree and disagree, follow someone else’s train of thought and then switch it onto your own track.” – pg. 14

“The farther away an event gets, the more we can potentially know about it – the more we’ve been able to read about it, think about it, process various theories about it.” – pg. 19

“You can tell something’s missing when you see people trying to find it.” – pg. 42

“Fiction can sometimes be true.” – pg. 92

“We’re reductive so that we can be constructive. […] Extremely complicated situations are simplified so they can be communicated to others.” – pg. 99

“History should matter to all of us at all times, because we’re all in it.” – pg. 123

“Should you shut your eyes to the most painful parts? Should you narrow your gaze only to what concerns you and those close to you? Or should you open your eyes wide, take it all in, and then seek out pleasure, comfort, and joy despite what you have just taken in? Should you decide things don’t matter or should you practice mind over matter? Prince counsels the latter: […] If I gotta die, I’m gonna listen.” – pg. 139

“I was also, for the first time, an adult. A young one, certainly, but a person with a vision of what kind of world I might want to live in and what I thought it might be able to give me (and, less important at first, what I might be able to give it.)” – pg. 210

“When you find yourself at the crossroads of history, look in all directions.” – pg. 237

“I had come in ready to make history by remaking History, but I had run into an event.” – pg. 311

“The majority of people live only for the past.” – pg. 319

“No matter how small the scale, no matter how fine the grain, there’s simply no way to recover the past in all its richness and contradiction.” – pg. 320

“That’s the excitement of it, or the terror. It’s like walking into a room without any real sense of what’s in there. Later they’ll come and take pictures of the room, and they’ll figure out what happened here. But I gotta go.” – pg. 321

Don’t Text Your Ex Happy Birthday, by Nick Viall

“No one will lie to you more than you will lie to yourself.” – pg. 18

“Remember that everyone is annoying.” – pg. 24

“Why do we keep giving these people so many chances? It’s not because they’re sophisticated narcissists who could teach a master class in manipulation. […] That’s not the reason – it’s often because our egos want to feel special and validated.” – pg. 31

“It shouldn’t matter how focused they are on their career right now. […] If they’re excited about you, they will focus on you.” – pg. 41

“Everyone is a fuckboy until they meet someone they’re willing to make sacrifices for.” – pg. 44

“To get something you want, you must be willing to lose something.” – pg. 90

“Never completely close any doors to the rooms you eventually hope to fill.” – pg. 123

“Being in love, no matter how slow or fast you feel it, doesn’t mean you stop learning about each other.” – pg. 140

“Heartbreak doesn’t kill you, it just feels like it will for a while.” – pg. 152

“Hope when you are single. Hope when you have a broken heart.” – pg. 167

“So many people dealing with Heartbreak will wonder how long it’s going to take before they are healed. […] What makes heartbreak harder to get over is making the mistake of telling ourselves it’s not.” – pg. 185

“If you want to put a positive spin on it, the fact that this relationship was meaningful is why you shouldn’t reach out.” – pg. 190

“When all else fails, watch your version of Forgetting Sarah Marshall.” – pg. 192

“Don’t convince yourself you actually loved the thing you lost more than you did when you had it.” – pg. 202

I’m Glad My Mom Died, by Jennette McCurdy

“It’s also nice to feel good at something. Even if that thing makes you very uncomfortable at times. Even if that thing puts a lot of pressure on you. Even if that thing is very stressful. Sometimes it’s just nice to feel good at something.” – pg. 68

“Fun isn’t a thing I’m particularly familiar with. Life’s a serious thing. There’s a lot going on in this place.” – pg. 82

“Through writing, I feel power for maybe the first time in my life. I don’t have to say somebody else’s words. I can write my own.” – pg. 85

“Writing is the opposite of performing to me. Performing feels inherently fake. Writing feels inherently real.” – pg. 86

“I disdain the part of me that’s romantic. I’m embarrassed by it.” – pg. 111

“I’m shocked by how many people think they’re original and say the same thing.” – pg. 120

“I don’t like knowing people in the context of things. Oh, that’s the person I work out with. That’s the person I’m in a book club with. That’s the person I did that show with. Because once the context ends, so does the friendship.” – pg. 166

“I’m allowed to hate someone else’s dream, even if it’s my reality.” – pg. 220

“I want to do good work. I want to do work I’m proud of. This matters to me on a deep, inherent level. I want to make a difference, or at least feel like I’m making a difference through my work. Without that feeling, that connection, the work feels pointless and vapid. I feel pointless and vapid.” – pg. 226

“I like that I’m able to get myself on paper. It simplifies things for me.” – pg. 274

“The people I was close to seemed like friends for life, people I could never imagine not seeing every day. But life happens. Love happens. Loss happens. Change and growth happen at different paces for different people, and sometimes the paces just don’t line up. It’s devastating if I think too much about it, so I usually don’t.” – pg. 300